Caroline P. Murphy

Cultural Historian & Biographer

Curriculum Vitæ

  • Education

    • 1996
      University College, London
      Degree: Ph.D. in Art History
      Thesis Title: Lavinia Fontana; An Artist and her Society in Late Sixteenth-Century Bologna.
      Supervisor, Professor Bruce Boucher
    • 1990 - 1992
      Harvard University Extension School, Cambridge, MA.
      Degree: Certificate in Museum Studies
    • 1987 - 1990
      University College, London
      Degree: BA Hons in Art History

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  • Grants and Awards

    • 2007
      Center for Advanced Study in the Visual Arts, National Gallery of Art Washington DC. Visiting Senior Fellowship
    • 1998 - 2005
      University of California, Riverside
      Annual Academic Senate Grant for Research
    • 2002
      Getty Grant Program. Publication Subsidy Grant
    • 2002
      Harvard Center for Italian Renaissance Studies
      Villa I Tatti, Florence, Italy.
      Lila Acheson Wallace Reader’s Digest Publication Grant
    • 2001 - 2002
      Harvard Center for Italian Renaissance Studies
      Villa I Tatti, Florence, Italy.
      Melville J. Kahn Fellow
    • 2001 - 2002
      Getty Grant Program, Post-doctoral Fellowship

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  • Teaching Positions

    • 1998 - 2005
      University of California, Riverside,
      Dept of Art History
      Assistant Professor (1998-2003); Associate Professor (2003-7)
    • 1996 - 1998
      Harlaxton College (British Campus of University of Evansville, IN)
      Assistant Professor of Art History

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  • Publications

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  • Essays and Articles

    • In Progress
      Translation and critical edition of selection of chapters of Carlo Cesare
      Malvasia’s Felsina Pittrice (1675) sponsored by Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington DC.
    • 2007
      “The Economics of the Woman Artist,” in Claudio Strinati and Jordana
      Pomeroy eds., Italian Women Artists from Renaissance to Baroque. Exhibition cat, National Museum of Women in the Arts, Washington DC.
    • 2007
      “Felice della Rovere and the Castello at Palo,” in Ian Verstegen ed., The Della
      Rovere; The Patronage of a Renaissance Dynasty
      (Truman State U Press).
    • 2003
      “The Market for Pictures in Post-Tridentine Bologna,” in Fantoni, Matthew and Matthews-Grieco eds., The Art Market in Italy; 15th-17th Centuries (Panini Editore).
    • 2001
      “Il cicolo della vita feminile: Comportamentali e pratiche di vita,” in “S. F. Mathews Grieco and S. Brevaglieri ed., Vita e immagine della donna tra rinascimento e contra riforma, edited by (Edizione Morgana).
    • 2001
      Entries on “Costanza della Sommaia Doni” and “La Mazzafirra” in Jill Jimenez ed., Dictionary of Artists’ Models (Fitzroy Dearborn).
    • 2000
      “Il teatro della vedovanza; Le vedove e il ‘patronage’
      pubblico delle arti visive a Bologna nel xvi secolo” in
      Quaderni Storici, issue #104.
    • 2000
      “Plautilla Nelli between Cloister and Client: A Study in Negotiation” in Jonathan Nelson ed., Suor Plautilla Nelli (1523-1588); The First Woman Painter of Florence. Studies in Italian History and Culture, 6, Georgetown University.
    • 1999
      “‘In Praise of the Ladies of Bologna’; The Image and Identity of the Bolognese Female Patriciate” in Renaissance Studies, 13, 4.
    • 1997
      “Lavinia Fontana and Female Life-Cycle Experience in Late Sixteenth Century Bologna” in Picturing Women in Renaissance and Baroque Italy, Sara Matthews Grieco and Geraldine Johnson, eds. (Cambridge U. Press).
    • 1997
      Critical Essay on Lavinia Fontana in Dictionary of Women Artists (Fitzroy Dearborn).
    • 1996
      Lavinia Fontana and ‘Le Dame della Città’; Understanding Female Patronage in Sixteenth-Century Bologna” in Renaissance Studies, 10, 2.
    • 1994
      “Lavinia Fontana; The Making of A Woman Artist” in Women of the Golden Age, eds. Els Kloek et al, (Hilversum Verloren).

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  • Lectures and Conferences

    • 2008
      Renaissance Society of America Annual Conference, Chicago
      “The Sweetest Temptations; The Sensual Life of Isabella de’ Medici’s Baroncelli Villa”.
    • 2008
      Wellesley College, Wellesley, MA
      “Renaissance Art in the North” (for ARTH 101).
    • 2007
      Pintoras del Barroco conference, University of Granada, Spain
      “The Economics of the Woman Artist”.
    • 2007
      “Lavinia Fontana and the Passion of Private Devotion”, El Paso Museum of Art.
    • 2007
      Renaissance Society of America Annual Conference, Miami, FLA
      “Fratello et Sorella; Social, Financial and Cultural Transactions Between Agostino Chigi and Felice della Rovere”.
    • 2007
      Department of History, University of New Hampshire
      “At Home with Isabella de’ Medici”.
    • 2007
      National Museum of Women in the Arts, Washington DC
      “Women, Art and Money”.
    • 2007
      The Orsini; A Family of Roman Baroni in Context conference, UCLA.
      “Women, property and possessions in UCLA’s Orsini archive”.
    • 2006
      Attending to Early Modern Women Conference, University of Maryland.
      “Mediated Masculinity; Paolo Giordano Orsini between a Medici Princess and a White Devil”.
    • 2006
      Renaissance Society of America Annual Conference, San Francisco
      “That Blessed Stable; The Equine Follies of a Roman Duke”.
    • 2005
      Revisioning High Renaissance Rome. University of Edinburgh, Scotland
      “Between Bureaucrats and Barons; Felice della Rovere Orsini and the Visual Arts”.
    • 2004
      Renaissance Society of America Annual Conference, New York City
      “Women, Family and Ritual at the Court of Julius II”.
    • 2004
      College Art Association of America, Italian Art Society Session, Seattle, WA
      “Gender, Acquisition and Identity in Renaissance Italy; The Case of the Pope’s Daughter”.
    • 2003
      University of Maryland, College Park, Attending to Early Modern Women triennial conference.
      Co-director of workshop, Publicizing Private Space in Early Modern Europe.
    • 2003
      Renaissance Society of America Annual Conference, Toronto, Canada
      “Felice della Rovere and the Castello of Palo”.
    • 2003
      College Art Association Annual Conference, New York City
      “Locating Lavinia Fontana”.
    • 2001
      University of Warwick, Venice program
      “Felice della Rovere; ‘Patrona et Benefatrix’ “.
    • 2001
      Design History Society Annual Conference,Victoria and Albert Museum, London
      “Felice della Rovere and the Furnishing of a Renaissance Fortress”.
    • 2001
      International Congress on Medieval Studies, Kalamazoo, MI
      “Decor, Decorum and the Ritual of Sociability in the Palaces of Renaissance Bologna”.
    • 2001
      Renaissance Society of America Annual Conference, Chicago
      “Furnishing the Fortress, Felice della Rovere and the Castello at Bracciano”.
    • 2001
      College Art Association Annual Conference, Chicago
      “From Jerusalem to Bologna via Mantua; Lavinia Fontana’s ‘Visit of the Queen of Sheba to Solomon’ “.
    • 2000
      Centro di Documentazione e Ricerca delle Donne di Bologna.
      Three day conference, Female Monasteries as Centers of Culture Between Renaissance and Baroque. Paper Title, “Restoration and Decoration of the Convent in Post-Tridentine Bologna”.
    • 2000
      Wellesley College, Wellesley, Massachusetts
      One day symposium, The Virgin Mary and the Visual Arts
      “Lavinia Fontana’s Virgins”.
    • 2000
      Southeastern College Art Association Annual Conference, Louisville, Kentucky
      “Lavinia Fontana and Her Seventeenth-Century Biographers”.
    • 2000
      Syracuse and Georgetown University in Florence
      Interdisciplinary 3 day conference, The Art Market in Italy (15th-17th C.)
      “The Market for Pictures in Post-Tridentine Bologna”.
    • 2000
      University of Bologna, Dept. of History Participant at seminar,
      Civic Self-Fashioning in Renaissance Bologna.
    • 2000
      Freedom of Expression in the Renaissance, conference UCSB.
    • 2000
      “Laudomia Gozzadini; Self-Expression and Familial Repression”.
    • 1999
      European University Institute, Florence
      Workshop on: Communications, Representation and Identity in Early Modern Europe
      “Public Altarpieces and the Penitent’s New Clothes in Post-Tridentine Bologna”.
    • 1998
      Center for Italian Women’s Studies, University of Reading One day workshop, Women in Religious Communities
      “Suor Plautilla Nelli. A Painter’s Career in Cinquecento Florence”.
    • 1998
      Georgetown University in Florence
      Symposium: Suor Plautilla Nelli, 1522-1588. The First Woman Painter of Florence
      “Plautilla Nelli between Cloister and Client. A Study in Negotiation”.
    • 1998
      University of Florence, Italy
      Symposium, Commitenza femminile e patronage muliebre in Italia all’epoca moderna
      “Patronage and Bolognese Noblewomen in the Late Sixteenth-Century”.
    • 1998
      National Museum of Women in the Arts, Washington, DC
      Symposium, Lavinia Fontana; Forging a Career in Renaissance Bologna
      “Lavinia Fontana; Painting the Ladies of Bologna”.
    • 1997
      Syracuse University in Florence
      One day symposium, il destino delle donne tra rinascimento e contra-riforma
      “Representations of female life-cycle experience”.
    • 1996
      Institute of Historical Research, University of London, UK
      The Art of Widowhood in Sixteenth-Century Bologna.
    • 1996
      Syracuse University in Florence
      Researching the woman artist: Methodology and Approach.
    • 1996
      University of Sussex, UK
      Guest Lecturer in Department of the History of Art
      Lavinia Fontana and Laudomia Gozzadini: A Painter and her Patron in Sixteenth-Century Bologna.
    • 1996
      Institute of Historical Research, University of London, UK
      Laudomia Gozzadini and Lavinia Fontana; Patron, Painter and Patrimonial Dispute in Sixteenth Century Bologna.
    • 1994
      Association of Art Historians’ Annual Conference, Birmingham, UK.
      Lavinia Fontana and Female Patronage in Sixteenth-Century Bologna.
    • 1993
      Teylersmusem, Haarlem, Netherlands Women of the Golden Age conference
      “Lavinia Fontana; The Making of a Woman Artist”.

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Copyright © 2010, Caroline P. Murphy. All Rights Reserved.